Blow-in, a wave-powered sound installation by Ian Jermyn, with two collection chambers on a stone pier at dusk.

THE TRANSATLANTIC DISPORTAL

With the Irish Gap Year Association

Part of Culture Night Sligo 2026

Culture Night opening: Friday 18 September, 18:30–20:00

18 September - 1 October 2026

Location: Scenius Gallery, Adelaide St., Sligo

Gallery 1 (Adelaide St.): Street-facing installation, viewable 24 hours

Gallery 2: Open Monday–Friday, 10:00–17:00

Admission: Free

About the Exhibition

For Culture Night Sligo 2026, held this year under the theme "One Night for All," Scenius Gallery presents The Transatlantic Disportal alongside a companion piece, Blow-in.

Irish Gap Year Association students building sculptural pieces from found materials for The Transatlantic Disportal.

The Transatlantic Disportal

Made collectively by more than twenty students from the Irish Gap Year Association, the exhibition transforms the gallery's two connected spaces into a live, walk-through environment built from found and repurposed materials. Rather than a set of finished, separate artworks, sculpture, sound, light and space combine into a single evolving field, and visitors are invited to move through it freely, encountering shifting relationships between body, object and atmosphere as they go.

Developed collaboratively with the students in the weeks leading up to Culture Night, the work explores belonging, transition and cultural exchange: how bodies move through unfamiliar spaces, and how a shared environment can create moments of connection, discovery and participation between people building something together for the first time.

Detail of a wire sculpture rising from a repurposed drinks can, part of The Transatlantic Disportal installation.
A stretched frame combining checked fabric and wire mesh, one of the found-material works in progress.
Stones resting on melodica keys by the sea, a study image linking Blow-in and The Transatlantic Disportal.

Blow-in

Blow-in, by Ian Jermyn, presents a companion installation which is part of an ongoing series staged at piers, slipways and other man-made structures along the northwest coast. Wave energy is captured and pushed through a hand-built pneumatic system into three modified key-governed free-reed instruments (commonly known as melodicas). Each surge interacts with the piece: an inhalation, a pause, an exhalation, each voiced output unique in its sustain, its shaky intervals, its decay. The gaps between soundings carry as much as the notes themselves, and the effect is cumulative. Sometimes all three melodicas sound together; other times, only one or two answer.

The work grew from the artist's own experience of living in Ireland as an Australian, always a "blow-in," and the pier's double life as a place of arrival and departure, and as a site where non-native species, like the artist, can take hold on ground already shaped by others.

Both works open as part of Culture Night on Friday 18 September and remain on view at the gallery until Thursday 1 October.

Free admission, open to all.

Credits

Curated by Ken Gunning & Ian Jermyn

With Scenius Gallery

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